Analysis: Understanding Balenciaga’s new chapter under Pierpaolo Piccioli
Lindsay Judge
The new creative director ignites the Heartbeat of the house invented by Cristóbal Balenciaga
Balenciaga’s Spring Summer 2026 collection, The Heartbeat, marks a new chapter for the Maison under the creative direction of Pierpaolo Piccioli. Presented during the recent Paris Fashion Week, the show introduced a more human and poetic vision for the house that connects its architectural legacy with a renewed sense of softness and emotion. Among the guests in attendance were Meghan Markle and Anne Hathaway, who joined an audience eager to witness this next step in Balenciaga’s evolution.

Piccioli’s arrival brings a shift in tone. Known for his refined romanticism and sensitivity to craftsmanship, the designer offers a perspective that balances Balenciaga’s strong identity with his own appreciation for individuality and emotion. As he wrote in his show notes, “The meaning of Balenciaga is a methodology. The process of creation as ideology, as identity, an expression of humanity and human invention.”
That spirit runs through the collection. The show took place in a recreated Parisian salon, scented with Getaria, the fragrance named after Cristóbal Balenciaga’s birthplace. The setting reflected the brand’s historic roots, while the clothes looked to the future. Sculptural coats, airy dresses, and sharply cut tailoring explored the relationship between body and fabric. As Piccioli described, “the space between the two becomes a third element, not just a detail of construction, but a symbol of breath and life within each piece.”
The Heartbeat draws on Balenciaga’s architectural codes while reinterpreting them for today. The structured silhouettes and precise cuts echo the design codes of the brand’s founder, but there is also a new warmth and ease in how the clothes move. Everyday pieces like chinos, T-shirts, and leather jackets appear elevated through technique and proportion, turning simplicity into something deeply considered. This balance between restraint and expression recalls the discipline of Cristóbal Balenciaga but also acknowledges the experimental energy introduced by his predecessor, Demna.

One of the key developments of the season is the introduction of neo gazar, a new textile created under Piccioli’s direction. Inspired by the original gazar fabric invented by Balenciaga in 1958, the new version combines structure and fluidity with a soft touch. Its double-faced weave of silk and wool gives the material both shape and movement, allowing garments to appear architectural yet light. This approach reinforces Piccioli’s belief in construction as a form of artistry.
In his show notes, Piccioli reflected, “The heartbeat is the rhythm we share, the pulse that reminds us we are human. Even so, every heart beats differently.” This idea of shared individuality sits at the centre of the collection. It suggests that fashion, like art, can connect people while still celebrating their differences. The pieces are not just designed to be admired but to be lived in, carrying the energy and personality of those who wear them.
Rather than a dramatic reinvention, this debut feels like a continuation built on respect. Piccioli honours Balenciaga’s history through his understanding of proportion, purity, and craftsmanship, while subtly introducing his own vocabulary of emotion and human connection.
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